So, you’re Canadian?

Not quite, y’all. During my three years living here in Western North Carolina, I’ve lost count of the amount of times folks have asked me that question. They want to know where I’m from, how did I end up in Waynesville, and since when did I pick up a southern twang in my speech?

Variety is the spice of life. Within the realm of music, those spices can range from the hot heat of New Orleans funk and the Chicago blues to the sweet taste of California sunshine soul and Nashville front porch singer-songwriters. 

And yet, where does the largest spice rack of sound reside? Well, in Southern Appalachia of course. Right in our own backyard you have the crossroads — literally and figuratively — of bluegrass, country, rock-n-roll, jazz, blues and folk tones. This melting pot of melodies flows down these steep mountains, from the deep hollers, backwoods coves, dark basements, old garages and rickety barns of Western North Carolina.

Standing in her Dillsboro studio, potter Zan Barnes can’t help but smile. “If you told me in high school that this is what I’d be doing, I’d have laughed in your face — absolutely not,” the 32-year-old said.

A second-generation potter, Barnes is tucked away in her own little Zen den. Next to her at all times is Zelda, a rescued Great Dane as gentle as she is large. The wooden structure is long and winding, with a low-hanging roof, where blocks of clay, buckets of water, countless shelves and finished items reside — all under a grove of trees, a stone’s thrown from the main house of the Riverwood Shops along the Tuckasegee River.

The blazing Knoxville sun was quickly falling to the west, heading further down the road to Memphis and points beyond. Rocketing down Interstate 40, I shot into The Marble City, merging onto Neyland Drive.

I just wanted to break 18 minutes. Taking a seat in Ms. Trudeau’s second period social studies class, all I had on my mind was the impending cross-country race that afternoon. I was in 11th grade, captain of the high school team, and poised to set another personal record on our home course once the dismissal bell rang. But, for now, it was cracking open our books and learning about American history in some sort of structured fashion.

Standing behind the counter of High Country Tire, Summer McMahan is a long way from the bright lights of New York City.

Outside the shop and convenience store, cars zip and zoom by nonstop down U.S. 441, either coming from Dillsboro to the north or Franklin to the south. And though the 22-year-old is busy ringing up purchases or talking up the locals who make a stop to High Country as part of their daily routine, McMahan thoughts keep drifting back to the Big Apple, back to Radio City Music Hall where she recently took the stage to perform on the NBC hit show “America’s Got Talent.”

It’s funny, isn’t it? When you cross paths with folks you haven’t seen in years, and yet you are all still on the same page, where it feels no time has past since your last rendezvous.

With the cornfields as high as an elephant’s eye, apples just ripe for the pickin’ and the last of the August sunshine still warming our glorious souls, it’s also time to harvest the innumerable records that have recently hit shelves and eager ears, ready to strike a fire in your heart.

It was the line in the sand. During the summer of 2005, I left one existence and embraced another. In a three-month span, I weaved through tragedy, heartbreak, and foreign countries, all the while striking the depths of my soul as the epiphany of my fate revealed itself.

Mountain music, dancing and tradition will be on display once again as the 45th annual Smoky Mountain Folk Festival celebrates the culture and heritage of Western North Carolina Sept. 4-5 on the shores of Lake Junaluska.

My eyes fluttered open and, for a moment, I didn’t know where I was.

The room was familiar. The sheets and blankets were the same. But I wasn’t. As I got out bed at my parent’s house, I realized it had been three years since I was living under this roof, and with one day until my return to Western North Carolina, it was still surreal to be here, and now, in my native Upstate New York.

Manic, menacing and mesmerizing.

That’s how rock-n-roll is supposed to make you feel. It’s meant to be a bit jarring, a little sinister, with the slightest touch of magic — just enough to pull you in, making you aware that what you’re witnessing is something special, something to behold and share with others not-yet-in-the-know.

I rolled the windows down and stuck my head out. The air was crisp and salty, with a slight hint of curious adventure. I was officially in Maine. Rolling back up the window, I turned to my parents, who had just picked me up at the Portland airport. We made small talk about how their vacation was going, how life is back home in Upstate New York, how my sister and little niece were doing. 

It’s the only place I feel at home. The open road. Once it gets into your system, you’ll spend the rest of your life trying to make sense of it. The highways, bi-ways and back roads in this country are the circulatory system of America, the blood pump and heartbeat of a hurried people on the move. It is the essence of humanity, for good or ill, and when you take that first journey away from familiarity, you’ll understand what cosmic discoveries lay just beyond the horizon.

Is Stacy J. Cox disliked by Western North Carolina craft beer lovers?

“I think so, but I don’t know why,” she said. “There has been a lot of misconstrued thoughts out there. A rumor has been spread that I have an issue with the breweries, but I don’t.”

I stopped going.

For the better part of the last decade, my life during the summer was music festivals. From Maine to California, Michigan to Arkansas, I was there, in an endless crowd, cheering on the greatest musicians of our time. In those innumerable moments, I felt more alive, at home, and at peace, than anywhere else in the world.

Sitting at a table at the Rathskeller Coffee Haus & Pub, Brittney Raby knows exactly what’s going to walk through the door shortly.

“Pure chaos,” she said. “And that makes it all the better.”

Standing in the back of The Stompin’ Ground in Maggie Valley last week, several languages could be heard in every direction. To the right, Spanish and Estonian. To the left, French and Cherokee. All present for the “Opening Gala” of Folkmoot USA, all versed in the universal language of performance.

Often times as a journalist, you just simply can’t get to everything.

Covered in paint speckles, Drew Duncan walked into O’Malley’s Pub & Grill on a recent Thursday evening.

Finishing up work for the day, he wasn’t in search of the 50-cent wing special, nor was he heading to the bar for a beverage. Walking over to the patio stage, Duncan opened up his guitar case, adjusted his microphone stand and took a seat. Front man for Porch 40 (rock/jam), he was soon joined by Colby Dietz of Mangas Colorado (Americana/bluegrass) and Chris Pressley from The Buchanan Boys (rock/country).

SEE ALSO:
• Mountain Faith appears on NBC
• Owner of the Sun — “Sharp Tongue”

My dog died.

Not to be Debbie Downer or anything, but that sentence has been ricocheting around my head all weekend. She’s gone. Sixteen years old, with 15 of those as a member of our family.

Standing on the edge of the cliff, I knew what I had to do. Fifty feet above Fort Loudoun Lake in Knoxville, I looked out over the pristine waters, down at my friends heckling me from the boat, and jumped. One, two, three, splash.

Y’all are doing it wrong.

You know, that thing? Social media? What happened? How did the endless fun and unlimited curiosity of Facebook, Instagram and Twitter become so dark, vile and negative? Since when is your neighbor an enemy to be reckoned with or your longtime friend the nemesis you never thought possible?

Are your ears playing tricks on you?

As you turn the radio dial to a country music station these days, all you hear is pop, rock and hip-hop. Surely, this can’t be the result of the sacred musical traditions of Nashville handed down through the generations by the likes of Hank Williams, Kitty Wells, Willie Nelson, Loretta Lynn and Waylon Jennings?

Heading down N.C. 28, between Bryson City and Robbinsville, is a flat stretch of highway, unusual to the continuous curves on this mountainous route. It indicates a valley, and just past a quaint diner, is a side road to your left, where a sign with an arrow points you in the right direction. You’re in the creative heart of Graham County. You’re at the Stecoah Valley Cultural Arts Center. 

“We’re not in the middle-of-nowhere, we’re actually the center of everywhere here,” said Beth Fields.

There is a lot of truth to it.

“Money can’t buy happiness,” the old adage goes. It’s a sentiment that has permeated through society for generations. And while most of us are aware of the phrase, how many of us actually reflect upon it with a true sense of self?

Coming into its fourth year, Cullowhee Mountain ARTS has grown into a vast array of workshops, one that seamlessly brings together professional artists from around the country. It is a program aiming to nurture creativity at every skill level, where students and teachers alike are able to flourish in an electric environment.

“I love working in a community of artists,” said Norma Hendrix. “I really like pulling all of those dots together, where you create a sense of community with the energy of people working side-by-side.”

He stood out like a sore thumb.

Standing on the red carpet at the International Bluegrass Music Association awards in Raleigh last fall, I found myself in the midst of the biggest names in the genre. To the right were The Gibson Brothers, Sam Bush and Claire Lynch, to the left Bela Fleck, Rhonda Vincent and The Del McCoury Band — a who’s who of string music.

Part Two: The Wedding

As I adjusted my tie in the hotel mirror, I noticed more grey hairs in my beard.

In art, as in life, what matters most is following your heart, never compromising your beliefs and holding steady to a strong sense of integrity.

Part One: The Ride

It had been eight years to the day. Putting the car into park, I emerged from the vehicle. Standing on the campus of Quinnipiac University, it had been eight years since I walked across the stage to receive my degrees, eight years since I left one existence for another. It was a surreal and cathartic experience, to say the least.

Cruising through downtown Franklin, one begins to wonder where exactly is the Lazy Hiker Brewing Company. You’ve been told it’s on Main Street, but where? And just as you begin to debate when to turn around and try again, your vehicle hits the crest of a steep downhill. 

Over the rise appears a building illuminated, like a lighthouse on the high seas of a vast and unknown Southern Appalachian night. It’s a building of people and purpose. You’re here. You’ve made it to opening night of Franklin’s first craft brewery.

They are my brothers.

Well, in terms of genetics, they technically aren’t. But, when it comes to heart and soul, we’re carbon copies. When it comes to purpose and intent, we’ve always been on the same page. They’re the members of Lucid — my brothers-in-arms.

Turning the corner at Church and Main streets in downtown Waynesville, I saw them out of the corner of my eye.

Sitting one-by-one atop the brick planter in front of Earthworks Gallery, the five young faces were all smiles amid their sing-along. Each had an instrument, some of which were seemingly as big as the kids themselves. Their sound was a mix of traditional mountain music and modern day Americana. And although these sounds of Southern Appalachia have intrigued folks, young and old, for generations, it was impressive to see these teenagers so interested and passionate about perpetuating the ancient music of this landscape and its people.

So, what’s it like out there?

That was a recent question posed to me by an older friend, one who has been happily married for the better part of 30 years. He wondered what it was like these days. You know, being single and immersed in the battlefield that is the modern day dating scene.

Taking a left off U.S. 64 onto Settawig Road in rural Clay County, the busy commercial thoroughfare transforms into lush farmland. The mountain air gets sweeter, soothing late spring sunshine spilling into the open windows of your vehicle. 

A few miles down the winding road, you enter the tiny community of Brasstown, with its one gas station and handful of buildings. You take another left and cross a bridge into Cherokee County. And though that bridge may just seemingly provide transport over the waters of Brasstown Creek, one will soon understand that the threshold is more than meets the eye.

I don’t get it.

I woke up this morning (April 28) and listened to the news. I heard of the overnight chaos and madness ablaze on the streets of Baltimore, as we all have been paying attention to, and for a long time, in many other cities and injustices around the country.

It’s a recent Saturday afternoon at Nantahala Brewing Company in downtown Bryson City. With bluebird skies overhead and the mountains of Southern Appalachia in the distance, brewery co-owner Joe Rowland scans his surroundings. There are children and dogs running around the front porch, with folks from Asheville, Atlanta, Charlotte and everywhere in-between raising their glasses high to another day in paradise.

She knows me better than anybody.

She’s a little rough around the edges. Her beauty has seen better days. She’s a dirty girl, one who’ll take to cosmopolitan city streets as easily as rugged backwoods trails. Her needs always seem to take all the cash in my wallet. She’s provided me a place to sleep on my loneliest nights. Her patience with my demands knows no bounds. Our time together has been a love/hate relationship.

For Wiley Cash, being a writer is not about milestones in his career that define his passion. Rather, it’s the simple idea of a person sitting down with a blank page, one ready to be filled with the unlimited possibility of creative prose.

“For a longtime, I thought if I’m a writer it will mean ‘this’ or if I write a New York Times bestseller it will mean ‘this,’” he said. “But, I realized that it’s all the same work. It’s still the act of putting words on a page, and trying to do it in a manner that’s more believable and true than what you did the day before.”