In the last 75 years, the landscape and the culture of the Appalachian South have undergone enormous change.

Take the town in which I live. Just 16 years ago, this town offered two large grocery stores, a K-Mart, and of course numerous other small, family-owned shops. That was the extent of choices for shoppers. The nearby motels wore that look of seedy disrepair found in so many such establishments built in the 1950s. The town boosted 10 Seven-Elevens, but had few restaurants other than the usual fast food places. By their dress and accents, many of the people in the stores and on the streets were easily identifiable as natives, born and bred in these hills.

When I taught homeschool seminars in Latin, history, and literature in Asheville, I would wait for a cold spell in February and then email my students to come to class dressed for the weather. On their arrival I would lead them outside and hold class for half an hour beneath gray skies and temperatures well below freezing. With any luck we might even find some bits of falling snow. The students would stand shivering in the cold — some of the boys apparently considered t-shirts and shorts appropriate winter clothing — and then we’d tromp back into the classroom.

Years ago, my wife and I belonged to a Waynesville book club in which a couple would act as host every month and select the book for discussion. Once when our turn rolled around I chose Anne Tyler’s Dinner At The Homesick Restaurant. The other members seemed to enjoy Tyler’s novel, though at one point one of the women mentioned that she thought Tyler’s characters were too eccentric.

“But aren’t we all eccentric?” I asked.

Two days ago, I finished reading Jon Hassler’s Rookery Blues (Ballantine Books, 1995, 485 pages). Hassler focuses his novel on the lives of professors and administrators at a small state college in Minnesota. One faculty member, a former worker in the oil fields, tries to organize a faculty strike. Two more become acquainted through playing music and fall in love. Another, a shy pianist dominated by his mother, finds fulfillment in a faculty band playing blues and jazz. A budding novelist has no talent for teaching.

In that moment, he knew that he was standing in the midst of something that would never be forgotten, something that he would carry from this place and bear for the rest of his life. 

— The Line That Holds Us, p. 26

When Darl Moody drew a bead on what he thought was a wild hog in a patch of ginseng, felt his rifle recoil, and saw his quarry collapse; he clamored to the ridge top to find, not a hog, but a dead man: Carol Brewer, nick-named Sissy, “a half-wit born to a family that Jesus Christ couldn’t have saved.” Both men, the living and the dead, were trespassers and poachers on Coward land. The landowner was away at a family funeral.

About 15 years ago, I was listening to a female critic discussing the seasons’ upcoming movies. When the moderator mentioned Mel Gibson’s “The Passion of the Christ,” the critic laughed and said, a little bitterly, “Well, we’ll all have our knives out for that one.”

When we are in school, we consider ourselves fortunate when we find ourselves in the company of inspiring teachers. We value them at the time, and if they are very good, then they stay with us for the rest of our lives. We may not remember much of what they taught us, but their example can serve to inspire us, to guide us in our lives. We connect with them in the classroom, and that connection, brought about by some magic we can never quite figure out, remains long after we have left behind the world of textbooks and exams.

In a prologue that will make you cry — bringing hackles of guilt to your eyes — Tommy Orange has brought past Native American history front and center and welded it to a story set in present day Oakland, California. “Urban Indians” he refers to his characters and their kin. This is not the Res or  tales told by celebrated Native American authors such as Sherman Alexie and Scott Momaday, but one of urban angst complete with all the modern technology and vibe to which cities are prone. 

Oscar P. Fitzgerald’s American Furniture: 1650 to the Present (Rowman & Littlefield, 2018, 621 pages) is a door-stopper book, a behemoth with well over a thousand photographs, some in color, most black-and-white, and as promised by the title, a history of American furniture and craftsmanship since the time of the thirteen colonies.

The last 10 days have brought some broad swatches of time for reading.

Two novels have traveled from the library, visited my fingers and eyes, and returned to their comrades on the shelves. Will Durant’s The Story of Civilization — I’ve just finished Volume VI: The Reformation — keeps me out of trouble for 30 minutes a day, and old friends like Robert Hartwell Fiske’s The Best Words, Mark Helprin’s A Soldier of the Great War, Nina George’s The Little Paris Bookshop, and Jordan Peterson’s 12 Rules For Life offer, as a Coca-Cola ad once put it, “the pause that refreshes.”