There is a special moment that happens whilst playing music, a moment when concentration takes over as a musician uses both hands in a complicated way on their instrument or tunes into harmony with another voice. It is a moment when nothing else exists. All of a sudden it is only the musician and the sounds that are being created. Despite anything and everything else that may be challenging or distracting, in that moment it all disappears. 

To be blunt? Charlie Parr is one of the finest singer-songwriters today.

Based out of Duluth, Minnesota, Parr is true poet/musician, one who embraces the ebb and flow, the changing landscape of his surroundings, whether it be geographical, seasonal, political or social. 

Within this modern realm of bluegrass music, there’s a particular sonic revolution occurring — one where once-fringe elements of progressive styles and artistic experimentation have now become the center of the acoustic landscape. 

On his way from performing at a Sunday church service in Highlands to an afternoon gig at Ole Smoky Distillery in Gatlinburg, Darren Nicholson pulled over somewhere outside of Cherokee, right where there was enough cell service to conduct a phone interview. 

Hunkered down at a table in the depths of the cavernous DeSoto Lounge in West Asheville, J.D Pinkus takes a sip from his vodka soda. He adjusts his cowboy hat, leans back into the vinyl bench seat and grins — in awe of the road to the here and now. 

For the last 25 years, few R&B/soul performers have risen to height of success and level of mainstream talent as Brian McKnight.

With his signature falsetto and seemingly unending vocal range, the multi-platinum artist is also a triple threat — singer, musician, songwriter. All of which has culminated into several radio hits and 16 Grammy nominations over the decades. 

It’s late morning at Citizen Vinyl in downtown Asheville. Formerly the Citizen-Times Building, the historic structure is now home to a record manufacturing facility, café, bar, record store and recording studio. 

An internationally beloved musician, Claude Coleman, Jr. would often find himself in Asheville while on tour drumming with his band, iconic rock juggernaut Ween. Each time wandering through, he would become more enamored with this region. So much so, Coleman relocated here from New Jersey in 2012. 

When it comes to Keller Williams, there are three key elements of his storied live performances — experimentation, fun, unity. 

Hailing from Virginia, the beloved singer-songwriter and multi-instrumentalist has been crisscrossing the country with his singular blend of acoustic, jam and dance music for the better part of the last 30 years.

In the 21st century, the living bridge of the “high, lonesome sound” that is bluegrass music is Del McCoury.

At 81, McCoury remains the melodic connection between the “Father of Bluegrass,” the late Bill Monroe, and the ever-evolving contemporary acts that are currently blurring the lines between the neo-traditional and progressive camps. And yet, McCoury is steadfast in his pursuit of the traditional bluegrass tone.