Born in Florida but raised in tiny Blue Ridge, Georgia — just a few miles outside of Murphy and not far from where Tennessee borders Georgia and North Carolina — Matt Coffay, 30, has spent a little over a decade in Western North Carolina, after moving to Asheville to attain a degree in philosophy. 

It’s about finding your center. 

Though they’re hundreds of miles from the closest ocean, the members of Sylva-based Positive Mental Attitude (PMA) have concocted a formula of reggae soul unique to the mountains of Western North Carolina. It’s more about an uplifting and relaxed state of mind rather than actual sandy toes and salt water. 

When you’re in the presence of Terrence Mann, you find yourself within reach of an energy — a vibe, perhaps — where you know this person standing before you is a creative reservoir of unknown depths. 

A three-time Tony Award nominee (twice for “Best Actor,” once for “Best Featured Actor”), Mann has performed in small playhouses and renowned theatre companies up and down the Eastern Seaboard, with his numerous roles on Broadway bringing him international acclaim. He was Charles in “Pippin,” Javert in “Les Miserables,” Frank N. Furter in “The Rocky Horror Show,” the Beast in “Beauty and the Beast,” and Rum Tum Tugger in “Cats,” just to name a handful.

It’s needed now more than ever before.

The place of the singer-songwriter in a modern world is a tricky spot. With all the bells, whistles and studio tricks at your fingertips, one could surmise that pop and mainstream radio in 2017 sounds more like an Internet dial-up tone in the 1990s instead of actual melodic harmonies.

He’s the common denominator.

When you look back at the career of iconic bluegrass mandolinist David Grisman, you’re diving deep into the rich and vast history of that “high, lonesome sound.” And yet, the more you wander into that melodic hub of David “Dawg” Grisman, you also find yourself zooming like a rhythmic train across the spectrum of sound, making additional stops at folk, jazz, world fusion, and acoustic music.

“You know, history becomes personal,” Reggie Harris said to a silent auditorium last Sunday afternoon. “These are our stories, and our history — black and white — on this long road of broken dreams and possibilities.”

Sitting onstage at the Swain Arts Center in Bryson City, Harris was joined by Scott Ainslie during their “Black and White and Blues” program, which received support from the North Carolina Arts Council.

Canton native William McDowell and his wife, celebrity songstress Gladys Knight, have big plans for McDowell’s old alma mater, Reynolds High School.

Within almost two decades together, Greensky Bluegrass has grown from a scrappy string band to one of the premier live stage acts currently touring the country.

They wanted to shake things up.

In 1971, a young Sam Bush aimed to create a new kind of bluegrass music. The legendary mandolinist was a teenager when he formed New Grass Revival. In the “classic lineup,” the group brought together the likes of Curtis Burch, Courtney Johnson and John Cowan (and later Bela Fleck).

Sitting in the back of his tour van in a Texas parking lot on a recent cold prairie night, Hayes Carll takes a sip of Jameson from a small plastic cup, leans back into the bench seat and kicks up his boots.

He’ll be the first to tell you the world today is an odd — and sometimes confusing — place, and he’ll also be sure to remind you that the sky ain’t falling. Sure, there’s an increasing divide between who we are and where we’re going as a society. But, real compassion and understanding comes from seeing the other side as a piece of some large pie of humanity, rather than a segment of the population that needs to be alienated, or worse — eliminated.