The core of any sincere and determined musical circle is a simple formula: camaraderie + compassion = musicianship. 

Anyone who tries to find footing at all in this haphazard organized chaos of creating and recording music, of booking and promoting shows, can can surely attest to the madness felt — onstage and off. You’re chasing a dream that can seem further and farther away each day you get up and try again, a recognition and stability you fight for with a reckless abandon.

As a Rolling Stone magazine subscriber since I was in ninth grade, it has my biggest dream as a writer to get a piece — just one single article — published by them. Well, as of this week, I’ve now had two pieces published by Rolling Stone. And it all came completely out-of-nowhere.

There was something so cozy about that navy blue 1992 Toyota Camry.

With my mother behind the wheel of her new car, I was a 7-year-old kid cruising along to the sounds of 105.1 FM. The radio station call letters were WKOL (aka: KOOL 105) and the tunes were golden oldies from the late 1950s to early 1970s. All the good stuff, you know?

I couldn’t believe she gave me a ticket.

Thanksgiving 2001. I was 16 years old. Having just ate a quick meal with my family up on the Canadian Border of Upstate New York, I jumped into my rusty 1989 Toyota Camry and bolted down the road towards Vermontville, a tiny hamlet in the heart of the desolate Adirondack Mountains. 

I was handed a telephone number and told good luck.

In the fall of 2007, I was 22 years old. Once graduate school didn’t pan out, I found myself scrambling to find a gig in the journalism world. Based out of Upstate New York at the time, I applied for a position at The Williston Observer, a small newspaper just across Lake Champlain in Vermont. 

Let’s go Sox. 

Standing and shouting at the large television at a pub around the corner from my apartment in Waynesville this past Sunday evening, I kept pounding the wooden bar counter in hopes it would echo through the bright, high-definition screen and rattle the Dodgers out in Los Angeles, in hopes of another Boston Red Sox World Series Championship. 

With brightly colored leaves falling from nearby trees in my front yard, the mountains appearing in the morning fog, and the whirlwind that is summer in the rearview mirror, I began to slow down and slide into the serenity only found in this magical time of the year. 

Sitting on a bench in the lobby of the Raleigh Memorial Auditorium last Thursday evening, Marc Pruett waits quietly for the rest of his band, Balsam Range, to arrive for the International Bluegrass Music Association award show. 

With the massive rainfall from Tropical Storm Florence on Sunday, my truck carefully navigated its way through deep puddles and down slick backroads, the windshield wipers barely able to keep up. 

The church was just off the Great Smoky Mountains Expressway, tucked above Barber Orchards in Balsam. It’s had been awhile since I stepped foot in a church. Raised in a Catholic family, I’d go to church sometimes twice a week (Thursday for school, Sunday for family). Though a deeply spiritual person, I hadn’t crossed the threshold of a house of worship in some time. 

Every-so-often, I’d look around the crowd and wonder if I’d have known any of these folks, perhaps called them dear friends, if I had stayed all those years ago.

Standing in the middle of Teton Village, in the shadow of the Grand Teton Mountains, just outside Jackson, Wyoming, this past Sunday, I immersed myself in the raucous sounds of rock act Futurebirds. I thought of who I was and what I wanted out of life when I was 23 years old and living in this part of the country.