Hunkered down at a table in the depths of the cavernous DeSoto Lounge in West Asheville, J.D Pinkus takes a sip from his vodka soda. He adjusts his cowboy hat, leans back into the vinyl bench seat and grins — in awe of the road to the here and now. 

For the last 25 years, few R&B/soul performers have risen to height of success and level of mainstream talent as Brian McKnight.

With his signature falsetto and seemingly unending vocal range, the multi-platinum artist is also a triple threat — singer, musician, songwriter. All of which has culminated into several radio hits and 16 Grammy nominations over the decades. 

It’s late morning at Citizen Vinyl in downtown Asheville. Formerly the Citizen-Times Building, the historic structure is now home to a record manufacturing facility, café, bar, record store and recording studio. 

An internationally beloved musician, Claude Coleman, Jr. would often find himself in Asheville while on tour drumming with his band, iconic rock juggernaut Ween. Each time wandering through, he would become more enamored with this region. So much so, Coleman relocated here from New Jersey in 2012. 

When it comes to Keller Williams, there are three key elements of his storied live performances — experimentation, fun, unity. 

Hailing from Virginia, the beloved singer-songwriter and multi-instrumentalist has been crisscrossing the country with his singular blend of acoustic, jam and dance music for the better part of the last 30 years.

In the 21st century, the living bridge of the “high, lonesome sound” that is bluegrass music is Del McCoury.

At 81, McCoury remains the melodic connection between the “Father of Bluegrass,” the late Bill Monroe, and the ever-evolving contemporary acts that are currently blurring the lines between the neo-traditional and progressive camps. And yet, McCoury is steadfast in his pursuit of the traditional bluegrass tone. 

Fresh out of high school in 1970, Sam Bush was a teenager in Bowling Green, Kentucky, with aspirations of being a touring musician. 

With his mandolin and fiddle in hand, he took off for the bright stage lights of Louisville, teaming up with bluegrass guitar wizard Tony Rice as part of the iconic ensemble that was The Bluegrass Alliance. 

Sitting in a booth upstairs at The Water’n Hole on North Main Street in Waynesville one recent evening, Justin Wells takes two sips: one from his beer and one from his shot of bourbon.

With the current pandemic and economic shutdown, the music industry was the first business sector to close its doors and will most likely be the last to reopen when all is said and done.

Standing in front of a microphone on Sunday evening, singer-songwriter Jane Kramer looked out onto the small, socially-distant crowd inside The Grey Eagle Music Hall in Asheville. Each table of patrons were several feet from the next table. Though masks covered the faces, the smiles and laughter could not be contained.