Last Thursday evening, three days of celebration commenced within the walls of Soul Infusion Tea House & Bistro on the outskirts of downtown Sylva. 

The gathering wasn’t to look ahead as the business turned 19 years old. Rather, it was to tie a poignant bow on almost two decades of culinary and artisan bliss in this small mountain town.

David Bromberg doesn’t have time to wax poetic about life. 

But, more so he doesn’t have time to talk about the life he’s lived as one of the great singer-songwriters who emerged out of the Greenwich Village blues/folk revival in the 1960s, with Bromberg now one of the last remaining figures from that era still touring and releasing new music. 

Picking your favorite albums of any given year is a wholeheartedly subjective endeavor. You’re drawn to what immediately captures your attention — whatever that song, record or genre may be. 

Last Saturday evening at Orchard Coffee in Waynesville, two nationally acclaimed singer-songwriters stepped in front of microphones and projected their captivating voices and lyrical aptitude to a silent, spellbound audience.  

“I like having that personal connection in a place like this — there’s such a feeling in here,” said Israel Nebeker. “I was rehearing for the show tonight in my hotel room earlier, and I was thinking back on some these songs I wrote, and those coffee shops I played when I was starting out — it’s really a full circle thing.”

It was about halfway into the quirky tune “My Sweet One” when the memories started to flood my field of vision. There I was this past Sunday, surrounded by a sea of over 13,000 people, while our band Phish performed onstage in Charleston, South Carolina. 

Amid the plethora of talented bluegrass, Americana and string acts in Western North Carolina, the idea of a rock trio is more so a rarity than something one might come across in regional musical circles.

In just seven years together, the members of Sister Sadie have risen into the upper echelon of the modern bluegrass scene. 

From a Grammy nomination for “Best Bluegrass Album” (for “Sister Sadie II”) to a handful of appearances on the Grand Ole Opry, 2019 was a milestone year for the group. This past September, the band received the International Bluegrass Music Association (IBMA) award for “Vocal Group of the Year” — the first all-female act in the history of the IBMAs to do so. 

With over 2,000 folks piling into the Thomas Wolfe Auditorium in downtown Asheville for Incubus on Thursday evening, those in attendance walked away from the gathering with way more than simply “hearing the hits.”

Celebrating the 20th anniversary release of the California rock act’s breakthrough album, “Make Yourself,” the performance unfolded with a retrospective film being projected on the large backdrop behind the drum kit, the entire audience on its feet cheering along.

Longtime guitarist for legendary rock act Widespread Panic, Jimmy Herring’s sole focus as a musician is — and has always been — about creating an inclusive melodic platform with his electric six-string, by which he and other musicians onstage can stand atop and swirl around each other with ease. 

Cutting through the onslaught of monotonous bar bands and diluted midnight hour showcases like a buzz saw gone haywire, The Hooten Hallers remain one of the most mesmerizing, innovative and raucous acts on the national scene these days.