A six-part podcast mini-series exploring the intersection of Black history and Southern Appalachian music through the Great Smoky Mountains Association is now launching. 

“Sepia Tones: Exploring Black Appalachian Music” is hosted by Dr. William Turner and Ted Olson, surveying the many Black roots and branches of Southern Appalachian music by sharing research, listening to recordings and interviewing contemporary Black musicians and experts in music history. 

In its 15 years together, Papadosio has remained on a steady, upward trajectory as one of the premier jam-bands currently roaming the innovative and ever-evolving live music scene. 

On March 14, 2020, Songs From The Road Band jumped onstage in the backroom of the Wicked Weed Funkatorium in the South Slope district of Asheville. What was to be a showcase of the immensely talented hometown string band turned out to be the last show within the city limits for the foreseeable future. 

Sunday morning. Sunshine and blue skies piercing through my dusty bedroom window. I’ve been up an hour or so. And yet, I can’t seem to fully fall back asleep. I keep trying, but remain in this dreamlike state, that void between the waking world and the depths of your subconscious. 

In the depths of The One Stop in downtown Asheville on Saturday, members of the Travers Brothership and Abby Bryant & The Echoes were setting up and sound checking for that evening’s inaugural “Blue Ridge Blues Jam.” 

When the trail bends sharply to the right, I know the waterfall is just behind the brush. I can’t see it, but I can hear it. This eternal rush of water cascading down from the farthest reaches of the surrounding mountains. 

Before the pandemic and eventual shutdown, The Get Right Band was one of the hardest work musical acts in Western North Carolina. Based out of Asheville, the power rock trio is a cauldron spilling over with indie, folk, reggae, soul and pop influences — a unique mixture that’s become its melodic signature. 

What started out as a casual jam to entertain a keg party has morphed itself into one of the most intriguing new musical acts in Western North Carolina. 

I didn’t grow up, nor have I ever lived, in the state of Vermont. That, and I’m not a musician, not professionally or in any sort of a talented way in my free time. And yet, I was recently asked by a member of the Vermont musical community to contribute to an uplifting video collage for 2021 and the message of hope for the uncertain future of live music and performers. 

In the pantheon of legendary jam-grass acts, a handful of pioneering bands broke new ground in the 1980s and 1990s by creating a sonic landscape that was a harmonious blend of bluegrass, folk, jazz and acoustic rock sensibilities — this emerging scene focused on rollicking live shows and keen improvisational aspects.