Haywood Arts Regional Theatre in Waynesville is fortunate to be one of few theaters to have a talented scenic artist on staff. Not only does Lyle Baskin produce some of the most stunning backdrops for HART productions, but the backdrops also allow the theater to make money by renting the pieces out to other theaters throughout the country.

• HART’s traveling backdrops wow theaters far and wide
• HART’s scenic artist sets the stage for drama
• Six life lessons from a backdrop artist

Haywood Arts Regional Theatre is known for is top-rate shows and high-caliber acting not typical of community theaters.

But HART has a well-kept secret that pulls its stage action together, a secret that’s hidden in plain sight of audiences, always noticed but rarely noted: its stunning backdrops.

Lyle Baskin is a man of high places. He’s spent most of his life on a ladder.

Savannah, Georgia-based artist Scott “Panhandle Slim” Stanton was born in Maryland and raised in Pensacola, Florida, but he has been known to pop up in all quarters of these United States, including Asheville — owing to his family’s vacation cabin in Swannanoa.

Barbara Robinson can find artistic inspiration wherever she may be. 

Sometimes it’s looking out over Frye Mountain from her art studio window at home, while at other times perhaps a particular barn she spots while driving through Swain County will pique her interest. Other times it’s a vision in her head that works its way out over time.

In mid-October I attended the second lecture of three at my local library on the Italian artist Caravaggio (1571-1610). A visit to Rome the previous year had sparked my interest in him and his work, and the lecture sent me to the library “Holds” desk where, as the speaker had informed us, he had placed on reserve several books on the painter. Despite having missed the first lecture, and despite the crowd of 70 some attendees at the lecture, I found to my astonishment that no one had checked out any of the books.

Who was Bayard Wootten?

“She was a wonderful, strong North Carolina woman,” said Pam Meister. “She was a skilled photographer. She was a feminist before her time. The more I learn about her, the more I’m impressed with her life.”

It’s about 855 miles between the quiet mountain town of Waynesville, North Carolina and the urban hustle and bustle of Havana, Cuba. 

SEE ALSO:
• An Artist’s Visit to Cuba
• Discussion to focus on Cuba

And yet, when painter Christopher Holt opens up his portfolio one recent morning at Panacea Coffeehouse in the Frog Level district of Waynesville, that distance gets a lot shorter. One-by-one, Holt leafs through dozens of his watercolor and oil paintings, all of which depict the vibrant sounds, scents and sights of the foreign country. The island nation and its people flood his thoughts and words when speaking at length over his recent trip there. 

By Christopher Holt • Special to SMN

When my plane touched down at Havana International Airport to loud applause from the passengers on board, I knew there was going to be something different about this trip.

SEE ALSO: WNC artist visits Cuba in search of its political and cultural meaning in the 21st century

About halfway between Bryson City and the Nantahala Outdoor Center, a small, unassuming building sits alongside the road. The structure is only a stone’s throw from the bustling intersection of U.S. 64 and N.C. 28, and inside Elise Willa Pincu Delfield is at her potter’s wheel, silently spinning magic.