It’s not at every summer camp that kids get to meet and interact with folks from countries all around the world, but at Camp Folkmoot in Waynesville, kids will get to do just that.

It’s fascinating to watch a cultural arts organization grow up, mature, get a little long-in-the-tooth, and then re-define itself to adjust to a changing world. That’s exactly what is happening with Folkmoot, which is now in its 36th year in Western North Carolina.

And what about that mission statement above. In these times when politicized culture wars and presidential twitter tantrums divide us, here is an arts organization whose very existence is based on trying to build bridges and foster international understanding. Folkmoot avoids politics, but now more than ever its mission is relevant and necessary.

At 72 years old, singer-songwriter Jim Avett is a modern-day Renaissance man. Avett is a beloved Appalachian folk musician. Up at the crack of dawn farmer. Served in the Navy during Vietnam. A social worker for a period. And a welder for almost four decades. He’s traveled across the country and around the world, and never once losing that childlike wonder that resides at the crossroads of curiosity, discovery and adventure. 

In its 36th year of cultural exchange through song and dance, Folkmoot remains a moving target, one that constantly evolves in its programming, but never once forgetting its core values.

Folkmoot will say goodbye to one board president but welcome another after a late September meeting where new board members were vetted. 

It takes a lot of work throughout the year to produce the Folkmoot festival; much of that work goes on behind the scenes and much of it is done by volunteers, without whom the festival simply couldn’t sustain itself.

In the digital age that is the 21st century, and in many aspects of this modern era, the culture and history of Western North Carolina and greater Southern Appalachia is disappearing. 

Whether it be an old-timer passing down their wisdom or listening to a well-aged recording of someone long gone from this earth, or vast shelves of often forgotten books gathering dust at your local library or historical society, how one tracks down the essence of who came before us, and who will surely come after, resides in the annals of storytelling. 

Among the groups visiting this year’s Folkmoot Festival from other countries is one from a place that isn’t quite a country, but is perhaps a historical microcosm of current geopolitical and spiritual conflict between East and West. 

“It’s mostly sunny weather, two or three months we live in winter, the rest of the year, around 30 or 40 Celsius degrees,” said Burcin Ozqus, a performer with Kyrenia Youth Centre Association. “It’s green most all the time of the year.”

Now in its 35th year, the Folkmoot Festival has been around 11 years longer than Maarten Krijger has been alive, but it doesn’t take 35 years of experience with the annual event to understand what has to happen in the next 35. 

Each year, one of the highlights of the 10-day Folkmoot Festival is the Parade of Nations. This year, 10 groups from across the globe walked down Waynesville’s Main Street, stopping at the Historic Haywood County Courthouse to perform for local dignitaries.