Sometimes in a crisis it helps to take a look in the rearview mirror.

In The Splendid And The Vile: A Saga of Churchill, Family, and Defiance During the Blitz (Crown Publishers, 2020, 546 pages), Eric Larson vividly revives those days when Britain stood alone against Nazi war machine and suffered almost daily aerial attacks on its military bases and cities. The Battle for Britain left 44,652 dead, 5,626 of them children, and wounded 52,370. After watching one of these attacks on a beautiful English night, John Colville, Assistant Private Secretary to Churchill, wrote in his diary “Never was there such a contrast of natural splendor and human vileness.”

If it’s true that timing is everything, then Ben Okri’s new novel The Freedom Artist is right on time. 

As we, here, in Western North Carolina are going through an unparalleled time of trauma and uncertainty, Okri’s most recent novel opens up like a mirror for how at the present moment our country is organized for inequality and ineffectiveness in terms of proper governance and freedom of the individual. In a country that claims to be “the land of the free,” the United States of America is rapidly moving in the direction of “the land of the prisoner.” And Okri uses the word “prison” in his new novel to emphasize how his fictional system of governance is set up to keep people in line and asleep when it comes to self-realization and equanimity. 

Weird, weird, weird.

Every morning until about two months ago, the online sites I visit daily offered accounts of someone — a celebrity, a politician, or an ordinary American — accused by another of racism, homophobia, misogyny, or some other social peccadillo demanding the cat o’ nine tails and a flogging post. We were a country divided by identity politics, a nation more at war with itself, or so we were told, than at any time since the Civil War.

By Boyd Holliday • Guest Writer | Concerned about the reports of global climate change? Depressed? Confused by the competing arguments of warring sides? Can’t find signs of hope? May I suggest four resources that will inform and inspire?

In some literary and music circles the debate continues as to whom is the best songwriter of the 20th and current 21st centuries. In circles I travel in, this debate usually comes down to either Bob Dylan or Leonard Cohen. 

Some bare their souls to priests and ministers. Some seek out therapists and counselors. Some look for help from friends and family members.

And some write books. 

Time to do some early spring cleaning and rid my desk of some books for review.

Caitlin Doughty, mortician and best-selling author of Smoke Gets In Your Eyes and From Here To Eternity, takes us to yet another encounter with the Grim Reaper in Will My Cat Eat My Eyeballs? Big Questions from Tiny Mortals about Death (W.W. Norton & Company, 2019, 222 pages). Dedicated to “To future corpses of all ages,” Will My Cat Eat My Eyeballs? is a collection of “the most distinctive, delightful questions I’ve been asked about death, and then I answered them.”

On Feb. 8, William B. Matson and members of the Clown/Crazy Horse family were scheduled to give a talk at the Jackson County Library in Sylva. I planned to attend, but unfortunately that was the day of the only snow and ice storm we’ve had all winter. So, as soon as I could get out I went to the library and checked out a copy of the as-told-to biography of the Crazy Horse/Clown family Crazy Horse: The Lakota Warrior’s Life & Legacy written by William Matson. 

She died at the age of 92 in January 2020 in Naples, Florida. Renowned for her beauty when young, she worked as a secretary and an airlines stewardess, married and had five children, and was a devout Christian. Those who personally knew her describe her as generous, kind, warm-hearted, and fun.

I’m on page 289 of a 308-page book by Brian Doyle called The Plover and am having fun. The book takes place in present time on the high seas of the Pacific Ocean by an author who has been compared to Joseph Conrad, Robert Louis Stevenson, Jack London and even Gabriel Garcia Marquez. A young man sets out in a small craft in order to get away from humanity and modern civilization and to make his life and his “country” the sea. Talk about conflict! If the natural forces of the oceanic landscape aren’t enough, there are plenty more human-related conflicts to come.