African American art showcase at WCU

Artwork by artist and author Ann Miller Woodford are currently on display in “Ann Miller Woodford: The Artist as Storyteller” at the Mountain Heritage Center’s exhibit gallery in Hunter Library on the campus of Western Carolina University in Cullowhee.

The things you don't hear

Weary and sore they came upon a small copse of Loblolly pines swaying high above a sea of softly undulating golden broomsedge just as the first light of dawn faded in from the east. 

For weeks, they’d slept during the balmy spring days and walked mostly by moonlight, never by road. At times they’d take to the train tracks, ducking into the underbrush when one of them would sense the coming of the iron horse. Other times they strode along soaring tree lines edging fallow fields, damp spongy soil radiating the last of the day’s heat to their bare feet, until they found some small, safe, out-of-the way place as dark and anonymous as their faces.

Leading the way: Love for nature spurred HCC’s Black forestry grads to barrier-breaking lives

Ron Davis Sr. was just 17 years old when he arrived in the tiny town of Clyde, completely alone. 

It was 1967, and Davis, a Black man from Knoxville, was there to start the new forestry program at Haywood Technical Institute, now known as Haywood Community College. He worked out a boarding agreement with the only Black person who lived within walking distance of the school, then located in the building that today contains Central Haywood High School, and nervously reported for his first day of class. 

Reparations, Six Months Later: So Far, Empty Promises

By Barbara Durr and Peter H. Lewis • Asheville Watchdog | Six months ago, as part of a reckoning on racial injustice, the City of Asheville and Buncombe County both passed resolutions to consider reparations to the Black community as a way to begin making amends for slavery and generations of systemic discrimination. The votes were hailed as “historic” by The Asheville Citizen Times, and ABC News asked, “Is Asheville a national model?”

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