I built a world: A conversation with Bronwyn Keith-Hynes
Whirlwind. Virtuoso. Rollicking. Heartfelt.
Those were some of the sentiments I had ricocheting around my mind watching Bronwyn Keith-Hynes perform earlier this winter at The Orange Peel in Asheville. A renowned fiddler/singer, Keith-Hynes is headlong into a solo career with the recent disbanding of her former band, the Grammy-winning Americana/bluegrass act Molly Tuttle & Golden Highway.
Close the screens, leave home, enjoy an adventure
Ordering some item from a company like Amazon — a smock, a special coffee, cotton swabs, whatever — is quick, simple and easy. You place the order, and two or three days later, the package appears on your front porch. The same ease and speed apply when ordering your groceries from Walmart or the local food mart. You make a list, tap a key, arrive at the delivery time, put the groceries in the car and brush your hands off as a job well done.
This must be the place: Ode to Bob Weir, ode to music that shaped our lives
I only met Bob Weir once. It was backstage at the long gone Gathering of the Vibes music festival located on the shoreline of the Long Island Sound in Bridgeport, Connecticut. It was the summer of 2009 and I was 24 years old, myself an aspiring journalist for a now-defunct music magazine.
This must be the place: Ode to lacing up the running shoes, ode to ‘The Streak’
It finally happened. Exactly 10 years in the making, my daily running streak officially celebrated one decade of continuation on Dec. 31, 2025. End-to-end, that span of time is 3,654 straight days. The mile I’ve run? Countless. I can’t even fathom the total distance jogged throughout that time period, although I have kept a running log since “The Streak” started. Someday I’ll calculate it.
This must be the place: ‘Memories of candles and incense, and all of these things, remember these?’
Hello from Room 1001 at the Cambria hotel in downtown Asheville. It’s Saturday afternoon and I’m currently sitting at this writing desk (pictured), I’m overlooking the intersection of Haywood Street and Page Avenue, the Harrah’s Cherokee Center and former George Vanderbilt Hotel within sight.
This must be the place: ‘Oh, that we could always see, such spirit through the year’
Thanksgiving morning. I awoke to the sounds of my upstairs neighbor scurrying about, most likely getting things together for whatever he has planned for Turkey Day. Nearby Russ Avenue is oddly quiet. Nobody is heading to work. The incessant construction has ceased for the day, too.
This must be the place: ‘Believe that the world is an ethereal flower, and ye live’
While I’m sitting and looking out the window of the local laundromat here in West Waynesville, I notice how dirty my rusty, musty, trusty pickup truck has become since I last washed it, which, I think, may have been last winter or so. One year’s worth of dirt along endless miles of unforgiving roads, both geographically and spiritually.
This must be the place: ‘And if you take my heart, don’t leave the smallest part’
In the midst of eating my third hard-boiled egg of the morning, I overheard the young couple at the next breakfast table mention to their server that they’d gotten married this past Saturday.
Taking a sip of my second cup of coffee, my gaze went from the newlyweds to the nearby roaring fireplace, then out the big glass windows onto the picturesque pond on the side lawn of the majestic property.
This must be the place: 'Red pepper notes and yellow cigarettes, she shared and never asked for more'
With the late afternoon sunshine piercing through the tree canopy above the road leading into the Tsali Recreation Area on the Graham/Swain County line, the sounds of “One Alone Together” by F.J. McMahon echoed out of the truck speakers, windows rolled down with a cool fall breeze swirling around me.
This must be the place: ‘Electric lizard, catching the flies, off the walls of this honky-tonk, my disguise’
The title of this week’s column is a lyric from a song by rising singer-songwriter Angela Autumn. The melody, “Electric Lizard,” is an incredibly haunting number, especially the solo rendition (just her and guitar) on the EP under the verbiage “Live from NYC.”