The Serbian group Talija Art Co., crowd pleasers at the 2009 Folkmoot, will make a return appearance at this year’s folk festival.

“You know, this is really the only thing I know I’ve wanted to do my whole life.”

That was my daughter Hannah, a rising senior at Tuscola. She’s had a lifelong gift for coming up with sweeping, profound declarations that make Lori and I laugh first and then ponder later.

She’s talking about being a guide at Folkmoot, which she is this year for the first time. The guides get to spend the entire 12-day festival with their group, eating and sleeping at the Folkmoot Friendship Center, helping the groups make it on time to all their performances and making sure all their other needs are taken care of.

The popular Folkmoot international festival will become a shadow of its current self in 2014 if its financial outlook doesn’t take a quick turn for the better.

Finding a new home for the Folkmoot sculpture in downtown Waynesville has taken a new turn.

The Waynesville public art commission initially proposed moving the art piece across the street — from its current spot in front of the new town hall to the old town hall.

When the art commission asked the town to sign off on the move earlier this month, however, the town board had a different idea.

The board agreed that the structure must be moved but felt old town hall wasn’t fitting for several reasons. One was there simply is not enough room. The other was lack of visibility to adequately showcase the piece. Plus, the town board expressed concerns that the “disco-ball effect” created by spinning flags on top of the statue would irritate people in adjacent office buildings.

Such complaints by the police department was one of the reasons for moving it in the first place. There have also been occasions when one or more of the flags has fallen off the statue because of high winds that whip by it.

Town board members are strongly considering placing it somewhere on the grounds of the historic courthouse and justice center — a prominent locale for a sculpture celebrating one of Waynesville’s most well known festivals. The art piece features a flowing, banner-like dancer with seven flags that turn in the wind to represent the famed international dance and music festival.

The statue was installed at its current location in 2009 and was created by renowned artist Wayne Trapp.

The 2011 Folkmoot Festival will take place July 21 through 31 throughout 12 counties in Western North Carolina, with new performances in Hickory and Jonesborough, Tenn.

Folkmoot performances can be seen in 16 cities, including Asheville, Hendersonville, Franklin, Burnsville, Maggie Valley and Waynesville.

Dancers and musicians in colorful traditional costumes from Trinidad, Croatia, Finland, Burundi, Puerto Rico, China, Guadeloupe, Turkey, Italy and the USA are expected to appear in more than 70 performances during the two-week event.

Performers travel to North Carolina for two weeks of entertainment, cultural exchange and education, to share cultural traditions with broad audiences and ensure these traditions are not lost in a fast-paced modern world.

Festivals like Folkmoot do not provide payment to the groups for their performances. Instead, all expenses are covered by the Festival, from the group’s arrival at a nearby international airport to their departure from the same airport two weeks later. Folkmoot staff will prepare 20,000 meals for performers and buses will travel more than 10,000 miles transporting groups to performances.

There are more than 300 international festivals like Folkmoot USA across the globe, but Folkmoot is one of only two similar international festivals in the United States.

The Parade of Nations is scheduled for Friday, July 22, from the historic courthouse down Main Street in Waynesville to the Waynesville First Baptist Church. The Folkmoot 5K Run/Walk & Kid’s Fun Run will be held Saturday, July 23, in front of the Folkmoot Friendship Center.

Haywood County Arts Council’s International Festival Day takes place on Saturday, July 30, and features Folkmoot performers on stages throughout the day. In addition to 21 ticketed public performances, Folkmoot dancers and musicians are featured at many other private and charitable performances during the two-week Folkmoot Festival.

For a full performance schedule and to purchase tickets, visit www.FolkmootUSA.org.

Folkmoot festival has lost a vital source of advertising money, jeopardizing its ability to lure visitors to Haywood County during the festival’s two-week summer run.

The Haywood County Tourism Development Authority announced its intention this month to yank its annual contribution to Folkmoot USA. The TDA has given Folkmoot between $6,000 and $12,000 every year since the festival’s inception in 1984.

Folkmoot President Chuck Dickson made a heartfelt pitch to the TDA board last week, asking them to reinstate the funding.

“Folkmoot has helped put Haywood County on the map and has definitely enhanced Haywood County’s reputation as a tourist destination,” Dickson told the 15 members of the TDA board.

TDA board members cited a still-slumping economy and overhead associated with a new downtown Waynesville visitor center as the culprits.

The festival turns Haywood County into an international bazaar every July, with more than 200 dancers and musicians from a dozen countries staging a series of performances and parades. The TDA funding is spent marketing the festival to audiences across the South.

Last year, Folkmoot only got a portion of what they requested — $6,000 of the $9,000 they were looking for — which covered just under a third of the $19,000 spent on advertising.

Cutting the contribution altogether would hurt Folkmoot’s ability to publicize the festival. Dickson said Folkmoot helps TDA achieve its own mission of luring overnight visitors.

“We put heads in beds — perhaps more than any other event in Haywood County,” said Dickson. “In 2010, 5,000 people attended ticketed events, 2,000 attended free events, and over 50,000 attended the parade and Festival Day, two events for which Folkmoot receives absolutely no money.”

Dickson came armed with both a crowd of Folkmoot supporters and an economic impact study done by Western Carolina University in 2008.

The study walks through the particulars of just how much money and business the festival pulls into the county, but the final total was over $4 million for the 2007 festival.

“These contributions not only increase the appeal of the festival from year to year, but help reinforce the attractiveness of the area in general and that of all other cultural events in the region,” summarized the study.

TDA cuts spurred by budget woes of its own

None of the TDA board members were arguing against that claim. In fact, several espoused the merits of having such a large and unique event housed in the county for such a long time.

However, they weren’t enamored enough to restore the funding.

The TDA board cited the same oft-repeated reason for budget cuts heard at the local, state and national levels of late: it’s the economy, what else can we do?

“It’s more about looking at harsh finances right now and looking at the bigger picture. I would rather give people more money, but we’re just in a situation with the budget and the money’s just not coming in,” said Jennifer Duerr, TDA board member and owner of the Windover Inn.

The TDA raises money with a 4 percent tax on overnight lodging, bringing in close to $1 million a year. As tourism has dropped with the recession, however, the TDA has seen its budget shrink by nearly $300,000 in three years.

This year alone, the TDA has come up $115,000 short of what it anticipated, leaving the agency struggling to make mid-year budget cuts.

TDA Board Member Ken Stahl floated the idea that Folkmoot lobby Buncombe and Jackson counties for contributions, but Dickson said that tactic was a bit of a long shot, given that they only put on a max of two shows in those counties.

The official suggestion was that Folkmoot apply to special pots of TDA money controlled by individual communities within the county. Maggie Valley, Waynesville, Lake Junaluska, Canton and Clyde each get a slice of TDA money to spend on pet projects, from concerts to brochures to micro-level marketing. A quarter of the total TDA budget is divvied up among the county’s five locales.

The TDA board told Folkmoot to take its request to the five committees that oversee the five pots of money.

Folkmoot has historically been paid out of the general fund since the festival is county-wide and holds events in literally each of the five locales, Dixon said. So which one would Folkmoot apply to? The board told Dixon to apply to all five.

The problem there is that those committees won’t have any cash to hand out until autumn at the earliest. In fact, grants for this round of funding were approved later at the same meeting.

Not everybody on the TDA board was in favor of cutting Folkmoot from the tourism agency’s general budget.

Mark Clasby, the county’s economic development director who also sits on the TDA, was vocally opposed to revoking the money.

“The recognition Folkmoot has brought to Haywood County is tremendous, and I disagree with the recommendation that you’re making,” Clasby told board members. “I think it’s wrong.”

Clasby said that Folkmoot is so well-known it’s one of the tools he uses to pitch Haywood County when he’s out courting business development for the county, and that if any organization deserves the money, it’s Folkmoot.

“I certainly understand the budget situation we’re all facing, but at least give them some funding and support,” said Clasby.

TDA Board Member Jennifer Duerr countered Clasby’s view, arguing that it’s just about a change in the way funds are given out, thanks to the economy. The dwindling general fund should be kept for county-wide causes, she said.

“It’s not that we want to not give the money, it’s just not there. Do we give the money to one event, or keep it to represent the entire county?” asked Duerr.

Other members voiced similar views, with Alice Aumen, the board’s chairperson, saying that this year’s budget has been particularly trying.

“It has been one of the most difficult years since I’ve been on the board,” said Aumen.

James Carver, owner of the Maggie Valley Restaurant and board member, said he’d love to give Folkmoot money this year, but that it just wasn’t there.

“I‘ve always been a big supporter of Folkmoot, but money’s down,” said Carver.

In the end, the TDA board gave Dickson and his compatriots their apologies and an invitation to come back and ask again next year, but if they were hoping for a check, they went away empty handed.

“What we would like to leave Folkmoot with is that it is an important event. We all hope it’s going to be a great year for travel and tourism and revenues are going to come up,” said TDA Board Member Sue Knapko, encouraging festival officials to come back again if the committees don’t work out.

Folkmoot 5K overall results

Folkmoot 5K age group results

For those who think getting a travel visa is a headache, try steering hundreds of Folkmoot dancers from a dozen different countries through the highly bureaucratic process.

That’s what Folkmoot USA’s group relations committee is responsible for doing months before the performers step foot in the U.S.

“It’s nerve-wracking during the months of March and April because that’s when you have to begin to get things really settled down,” said committee member Dave Stallings.

By then, visas must be in hand and funding for tickets in place. While groups are ultimately responsible for getting their own visas, committee members still have a lot of work on their hands.

“It’s just hard to convince groups, ‘Yeah you’re not coming until July, but you got to start working on it in January,’” said Stallings.

A group from India had to drop out of Folkmoot this year because it did not start the visa process on time, despite constant prodding from Folkmoot coordinators.

Performers from Turkey also had to drop out because they couldn’t raise enough money for the costly trip across the ocean.

“If you’re talking about buying international airfare for 30 people, that’s a lot of money,” said Stallings.

Though Folkmoot provides housing, meals and transportation from the airport, financing every dancer’s journey to the States hasn’t been feasible.

“They pay their own way,” said Rolf Kaufman, chair of the group relations committee. “We have a hard enough time raising the money to feed them and transport them.”

Visa issues and financial constraints usually make it difficult for Folkmoot to recruit dance groups outside of Western Europe. International airfare for 35 people plus baggage and visa fees can add up to $40,000 at times.

Due to unexpected cancellations at the last minute, Folkmoot had no choice but to recruit more Western European groups than usual this year.

Kaufman — who has been involved with Folkmoot since its inception — said he would like to see a fund set up to partially pay for plane tickets, but no one has stepped up to sponsor that idea yet.

Many groups are able to fundraise successfully and coax their governments into donating to the cause. The Turkish dancers weren’t able to get the appropriation they expected this year, which is what led them to cancel the trip.

Another challenge is just finding seats on the same flight for a few dozen performers with luggage and musical instruments — especially when faced with small, commuter flights within the U.S.

“You may have more than a ‘planeful,’” said Stallings.

A new era

The visa process has grown more and more difficult each year, especially amid increasing alarm about illegal immigration.

Embassy officials will try to determine the likelihood that each applicant will become an illegal immigrant after arriving on U.S. soil.

Those who are enrolled in universities, employed or have extended family back at home are more likely to obtain a visa than those who have no tangible reason to return.

Performers from Africa are most likely to have trouble receiving a visa, according to Kaufman.

According to Stallings, the most at-risk performers come from countries with large expatriate populations in the U.S.

“It’s hard for somebody to just come over here and disappear without some kind of support,” said Stallings.

About two decades ago when Folkmoot was just finding its footing, the lead dancer from China attempted to run away with her boyfriend. He just pulled up one day in a rental car and tried to sweet-talk Folkmoot officials into allowing her to go out with him.

But even back then, Folkmoot had a strict policy of not allowing dancers to venture out alone. The Chinese dancer was forced to stick with her group for the remainder of Folkmoot.

Shortly after that, she was scheduled to go to another festival in Utah, which is where she made her escape. Kaufman later heard that she married her boyfriend, who had traveled here from Texas. “She had a family and lived happily ever after,” Kaufman said.

On another occasion, the Folkmoot director heard rumors that a few dancers from Haiti were planning on running off to Miami. The director alerted immigration officials there, who would only say that incidents like that happen every day and there was little they could do about it.

Once, a girl from Trinidad took off after arriving in North Carolina. She had been visiting relatives and ended up rejoining her group members before they flew out.

“She didn’t violate her visa, she just violated [Folkmoot],” said Kaufman.

Despite a few examples of misbehavior here and there, Folkmoot has done an excellent job of keeping tabs on its performers thus far. Performers are in group housing rather than private residences, which are easier to escape.

“We’ve had extremely good luck with avoiding these sorts of things,” said Kaufman.

Heading off problems

To avoid complications as much as possible, Folkmoot avoids recruiting dancers from countries that have volatile relationships with the U.S.

“We don’t try to get, for instance, Iran,” said Kaufman. “We get petitions from Iran, but we don’t try.”

Most dancers pay $130 each to travel with tourist or business visas. In rare cases, though, they must obtain a performers visa. The lengthy process for an entertainer visa requires a petition and a $1,000 fee for the whole group, a cost that Folkmoot covers. Priority processing demands another $1,000 fee on top of that.

Even after all that is invested, the performers visa can be rejected for the group.

In dire circumstances, Folkmoot has turned to U.S. senators for assistance in obtaining visas for performers.

One group from Kenya had especially great difficulty getting to Western North Carolina, Kaufman recalled. By the time the Kenyans received their performers visa, it was too late to round up money for plane tickets.

Last year, the Kenyan group went through the performers visa process once more, got their visa then all of a sudden, the U.S. consulate demanded a special fee of several hundred dollars.

The fee was retribution for a similar charge Kenya levies on U.S. citizens. Kaufman dreaded the worst, but the group was able to raise the funds for the fee.

At the very last minute, the group’s funding source for travel expenses backed out. The group had to cancel.

A few times in recent years, Folkmoot has to resort to finding a ethnic dancers from the U.S. due to incidents like these.

This year, it’s Peruvian dancers from New Jersey. The upside is: they’re coming by Greyhound and don’t need a visa.

On International Festival Day, Main Street in Waynesville will transform into a world bazaar where more than one hundred artists, craftsmen and international guests sell all forms of arts and crafts.

The day offers the ultimate cultural exchange for all ages, whether you’re an art lover coming to browse booths of jewelry, paintings, photography and woodwork; a child traveling the world at Passport to the Arts; or a family seeking a glimpse of international dancers and old time mountain music.

The 25th Annual International Festival Day takes place from 10 a.m. to 5 p.m. on Saturday, July 31, in downtown Waynesville. North Carolina’s Official International Festival runs from July 22 to Aug. 1. (See special Folkmoot section inside this week’s edition)

Festival-goers can browse booths filled with handcrafted items and even catch a demonstration or two by artisans including flame workers, potters and woodworkers.

Modern metal artist Bob Gwynn creates one-of-a-kind artwork that brings a vibrant feeling to any room. After returning from a tour in Vietnam in 1972, Gwynn took a welding course to learn a skill before deciding to go back to college.

One day on a power plant job, he cut a butterfly out of a plate of steel. Thirty-eight years and more than 800 major art shows later, he has produced hundreds of metal designs ranging from nature designs, water fountains, and furniture all from his studio located just outside of Greenville. Gwynn’s work has evolved from simple wall pieces to multimedia pieces that bring in vibrant colors and textures.

Metalsmith and jeweler Maggie Joynt has an eye for beauty in unexpected places such as the surface of the rocks outside her studio or the frayed wings of a well-traveled butterfly. Using various materials including leaves, paper, insect wings and fabrics, she presses patterns and textures directly onto sterling and copper. This process preserves the delicate texture directly onto the metal. These abstract, organic and textural elements are evident in all her work. Joynt’s open studio and gallery is located at the Riverwood Shops in historic Dillsboro.

Ceramicist Courtney Tomchik employs the raku firing technique where smoke penetrates the clay and glaze to enhance the range of colors and finishes she uses. After cooling for a short time, the pieces are placed in a bucket of water.

“The water phase stops the color process and sometimes creates flashes that are not visible until it is cooled completely,” Tomchik said.

Once cooled, the piece is cleaned with an abrasive cleaning agent ash deposits. After a 24-hour drying period, Tomchik assembles her pieces and adds additions like glass beads from local shops or her travels and small bits created from clay with gold leaf to create more drama. Each piece is truly one-of-a-kind.

Nadine Fidelman chooses semi-precious gemstones, pearls, fossils and dichroic glass that have character, then “wraps” each one, surrounding it with a minimal amount of wire, to enhance its beauty. Fidelman uses her fingertips, fingernails and various pliers to surround each one and often adds gemstone beads or pearls to create a unique piece of art jewelry. No casting or solder is ever used. She also creates unique jewelry with fine silver, bronze and copper, sometimes combining them with wire wrapping.

The international theme continues at opposite ends of Main Street where food courts feature a wide variety of choices including gyros, Asian spring rolls, crepes, beignets, Caribbean shawarmas, fajitas and — a North Carolina staple — pulled pork barbeque.

The Passport to the Arts children’s area is where children are issued a “passport” and “travel” to countries like Russia, India, Latvia, United Kingdom, France, Switzerland, Jordan, Portugal and Poland, and create Indian twirling palm puppets, Kufi hats and other one-of-a-kind crafts to take home.

Festival entertainment will be provided by Folkmoot USA’s international dancers and musicians; Voices in the Laurel Children’s Chorus; and students from the Haywood County Arts Council’s Junior Appalachian Musicians program. The cultural exchange takes place on stages at each end of Main Street beginning at 10:15 a.m. at Town Hall in downtown Waynesville.

For more information, www.haywoodarts.org or call the Haywood County Arts Council at 828.452.0593. For ticket information about Folkmoot USA performances during July, visit www.folkmootusa.org, 828.452.2997 or 1.877.FOLK-USA.

In April, volunteers started painting the Folkmoot Friendship Center, and people will work for a month to a month and a half after the festival ends to make sure all of the sheets are clean.

“We rely on our volunteers very heavily,” said Doug Garrett, the Folkmoot guide and volunteer coordinator. “It would be impossible to have a festival without our volunteers.”

Seasonal residents Bill and Louise Voreis have been volunteering with Folkmoot for 10 years.

Before retiring, Bill Voreis worked as an air traffic controller, and Louise Voreis taught kindergarten and their schedules kept them from spending time together. Now the couple works with each other to record the T-shirt inventory from souvenir sales.

“It’s wonderful because we can do it together,” Louise Voreis said. “These few weeks, we don’t really plan anything else.”

The inventory room at the Folkmoot Center is near the gym where they can watch the performers socialize and practice.

“It’s just fun to watch them,” Bill Voreis said. “They don’t have any of the animosity that adults get later on. … It is the color and the young people and their energy that inspires you to be a part of it.”

Bill Voreis doesn’t hesitate to help around the center in other ways either. He’ll take out the trash, flip hamburgers and buy the performers candy bars and Frisbees as small gifts.

“You start to see the same people day in and day out, and you start to form a bond with them,” Bill Voreis said, recalling the relationship he formed with a French group a few years ago.

Louise Voreis remembers walking around the corner of the building after the closing ceremony, and her husband had on a beret that the French performers had just given him.

The couple also looks forward to seeing the volunteers they’ve made friends with throughout the years at Folkmoot. Along with Louise and Bill Voreis, the Folkmoot volunteer database contains more than a hundred names.

“We can always use more,” Garrett said.

Some jobs allow the volunteers to have close access and relationships with the performers. Others are less glamorous but not less important.

Bill Skelton and his family moved to Waynesville nine years ago on the festival’s International Day. Since then, the family has been to a couple Folkmoot performances each year.

This year, Skelton will man the Folkmoot Center during some performances for five or six nights from 6 to 11 p.m. He anticipates the night shift will be slow and hopes to get some reading done in between the office work. If he runs out of reading material, he’s got Sudoku puzzles on reserve.

“I know how much volunteers mean to different events,” Skelton said, mentioning he often relies on volunteers to accomplish his goals as the director of Haywood County Extension Services.

Skelton’s 15-year-old daughter, Jean Skelton, also will volunteer for the first time this year selling souvenirs at four events – the first being the parade.

“I can’t wait till Friday,” she said.

Jean Skelton is looking forward to practicing her Spanish, while her father is nervous about not being able to communicate with those who may need his help.

“Neither one of us really know what we’re getting ourselves into,” he said.

But both are excited to experience new cultures. Neither has had much opportunity to travel “unless you count Charlotte as a foreign land,” Bill Skelton said jokingly.

Jo Wooten, who heads the first aid room at the Folkmoot Center, enjoys her volunteer position because like the Skeltons she hasn’t had a lot of chances to travel.

“It’s giving people who don’t travel outside of the country the opportunity to learn about other cultures,” Wooten said.

She works in the first aid room from 9 to 11 a.m. every day. She organizes a rotating team of about seven doctors or physician’s assistants and 11 nurses to help in the room.

One of her biggest challenges is the language barrier, she said.

“You get good with hand maneuvers and charades or what have you,” Wooten said.

Most of the ailments she sees in the first aid room include sore throats, coughs, allergies and some injuries such as strains and sprains.

Two other nurses and one doctor or physician’s assistants help Wooten in the clinic every day. One nurse records the vital signs, and the others work in the back with the doctor or physician’s assistant.

“We try to take care of everything without sending them to urgent care,” she said.

But the need for volunteers goes beyond the first aid clinic, souvenir sales and office work.

Before the festival, a group of eight to 10 women come into the center to make the 350 to 400 beds the performers will sleep in. One man waxes the cafeteria floor every year. Painters who are short on jobs due to the recession have donated their services.

“There are so many small jobs that require so many people versed in so many talents,” Garrett said.