In a literary genre (Appalachian noir) dominated by men, Amy Jo Burns’ new novel Shiner breaks through barriers and the unspoken publisher-induced rules of the genre — conflict, conflict, conflict — and comes out on the other side with a compelling story that has an interior rather than a dark, action-driven or plot-driven narrative.
Toward the end of 2020, I reviewed a book here titled The Last Neanderthal by Claire Cameron. This was fiction and a novel based on actual anthropological research giving the reader a camera-eye look into the lives of the last full-blood Neanderthals to inhabit Europe. Cameron had done her homework and had written a captivating story.
On the shelves around the room where I write and work a visitor would find all sorts of books, including a few “self-help” guides and manuals on writing and composition. My theory on spending money on such books is this: If they contain even one piece of advice, however small, that might improve my life or my writing, then the money I paid for that book is more than worth that expense.
If the word “value” is to mean anything, it should at least apply to two or more things. First it should refer to monetary worth, and second, and more importantly, it should refer to appreciation of higher consciousness regarding human experience.
In 2018, Jordan Peterson’s 12 Rules For Life: An Antidote to Chaos became an international bestseller, and Peterson himself became a celebrity, speaking to packed auditoriums and lecture halls around the United States and other countries. He then fell ill, in large part from various legal drugs he was taking, almost died, recovered, and has now written and published a sequel to 12 Rules For Life.
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