By Daley Hooten • Rumlbe Contributor | It’s Feb. 17, around 5 p.m., and the line starting from the entrance of the Orange Peel music venue in Asheville has already stretched to the end of the block. It’s cold, windy, and raining, but that doesnt stop the dedicated (and very fashionable) fans of singer songwriter Mitski. 

It was right around the third drink of the evening when I had the sneaking suspicion an existential crisis was going to rear its head before the night was through. 

Tickets are now on sale for Black Violin, presented by the Bardo Arts Center Performance Hall on Wednesday, Feb. 9, at 7:30PM.  

In a modern world of meaningless priorities, constant distraction, finger pointing and incessant white noise, Hiss Golden Messenger remains a safe haven for those looking to peel back the layers of heaviness we all seem to be carrying around these days. 

Standing in a sea of thousands of music freaks at the Asheville Civic Center (aka: Harrah’s Cherokee Center) on Sunday evening, it was surreal — more so poignant — to absorb the sights and sounds of Billy Strings on Halloween night. 

In an effort to bust out of her Virginia hometown and head for the bright lights of Nashville, rising singer-songwriter Karly Driftwood put down her guitar and reached for the stripper pole — eventually gathering up enough dollar bills to fill the gas tank, the hood of the car soon aimed for Music City. 

Amid the rich, vibrant musical tapestry of bluegrass, Americana, blues and folk at the core of Western North Carolina’s storied music scene, there are a handful of rising stage acts taking those roots influences and putting a more contemporary spin on it. 

On its new four-song EP, “Bloomin’,” Athens, Georgia-based rock outfit Futurebirds tapped Carl Broemel to not only produce the album, but also collaborate, as heard on the powerhouse track “Blue Eyed Girl.”

The socket wrench felt comfortable in my hands, which was a good thing: a quick look in a nearby box revealed dozens of large bolts with washers awaiting the attention of our crew. I’ve always enjoyed tools, working with my hands, building or putting things together.

MerleFest has been the premier “traditional plus” music festival in the country for decades, launching the careers of many well-known American roots musicians. Last year, COVID-19 forced the cancellation of the Wilkesboro, North Carolina, event, disappointing first-time performers — especially smaller regional acts.