This past weekend was given over to reorganizing the books in my home library. In the process, I relocated a volume of poems I had feared was long lost. 

My favorite “Appalachian” poets would be Robert Morgan, Kay Stripling Byer, and James Still. 

Once upon a time there was a poet named Bob Kaufman. He hadn’t spoken in anything resembling normal language in almost 12 years. Having taken a vow of silence as his own personal protest against American hyprocrisy and racial injustice, Bob Kaufman is probably the most important and unheralded of all the Beat generation literary luminaries. He was the true original. In the streets. On target. Under the radar. Yet at the forefront, breaking all the barriers. 

Two years ago in December, I vowed to read the 11-volume set of Will and Ariel Durant’s The Story of Civilization in 12 months. Unlike resolutions made for New Years and Lent, some of which I break before the sun has set, I read those fat books one after the other and finished the final page with time to spare.

One of the most alluring and enduring qualities of the art of poetry is the vast spectrum of forms it may take — neat or free-wheeling, broad or tidy, emotional or intellectual, progressive or traditional. 

This weekend, Jackson County aficionados can experience most all of that, in the same place, at the same time. 

The purpose of a writer is to take observations on life and distill those sights and sounds into words and sentiments reflecting the way the wind is blowing at a particular juncture in time. 

It’s also a purpose as to show the reader just how common and repetitive the themes of human nature are throughout the centuries and millennia. For we as a species tend to not stray far from our usual thoughts and actions: love and hate, fear and compassion, war and peace. 

I first discovered Lawrence Ferlinghetti in high school and his book Starting From San Francisco and have read everything he’s ever published. I wrote my junior thesis paper for my English major in college on the light and dark imagery in his poetry. 

In his new book, Litte Boy, practically the whole narrative is concerned with light and dark imagery — in all their guises. Apparently he is still working all that out. I also had the good fortune to be his neighbor in the North Beach community of San Francisco in the 1970s and to spend valuable time with him, first as a member of my generational entourage, then as a friend and collaborator on protest and benefit events and publishing projects during that decade. So, I know Lawrence Ferlinghetti and much of his life story. And his memoiristic “novel” Little Boy, which was just published on his 100th birthday in March, is a stream of consciousness portrayal of those 100 years. 

Spring-cleaning.

Those two words conjure up images of washing windows, storing away the winter clothes, and carting off odds-and-ends to the Salvation Army.

For me, spring-cleaning means attacking stacks of books, piles of papers, and a platoon of bookshelves in whose dust I could write sonnets with my fingertips.

When my mom was living, she owned a tour company called Southern Comfort Tours. She opened the business in her 60s after retiring from 30 years in education. It was a lifelong dream and she made it happen. 

Along with extensive trips, she offered small day trips around Western North Carolina and other areas of the Southeast. One of her day trips was to Hendersonville where she would take guests to places like Flat Rock Playhouse, Highland Lake Inn and the Carl Sandburg home. She loved talking about her itineraries and chattering about this location or that venue.

When someone dies, we look for words to assuage our grief and the grief of others. We deliver eulogies, we offer prayers, we console those left behind, we sing hymns or other songs beloved by the deceased, we read from various books — the Bible, poems, bits and pieces of prose — to send the departed one into the earth. Often, too, we gather after the funeral for food and drink, and recollect our dead by sharing memories of their deeds and words while they still lived.

Michael Revere grew up here in these mountains. He went to college at the University of North Carolina at Chapel Hill. He hung out with the elite literati there in the 1960s, had a book of his poems published by a press in the Triangle and then hit the road Kerouac style as a rock and roll drummer and headed west. 

His life story is an adventure worthy of a biopic that resulted in his eventual return to his geographic roots where he has been now long enough to raise a couple of children who are now approaching middle age. During all this time he has maintained his allegiances to his first two loves: poetry and his wife Judith. Hence the title of his new book of poems just out by Milky Way Editions titled Hey Jude in honor of his wife and after the Beatles song of the same name.